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Guide · Compliance

How to run a photo competition in Australia

Permits, privacy, terms and the paperwork nobody warns you about — a practical walkthrough for brands and publishers planning a competition that a legal team will sign off on.

7 min readUpdated 25 August 2026

Skill or chance — the first question that decides everything

Australian law splits competitions into two families, and everything downstream hangs on which one you’re running. A game of skill — winners chosen on merit by judges — generally doesn’t need a trade promotion permit anywhere in Australia. A game of chance — winners drawn at random, or partly at random — is a trade promotion lottery, and several states and territories regulate those, with permits or licences required above certain prize thresholds.

A judged photo competition sits naturally on the skill side, which is one reason the format is so popular with Australian brands. But add a random-draw element — an entry prize, a voter incentive, a “people’s choice drawn from all voters” — and you’ve created a game of chance riding alongside your game of skill, with its own permit questions.

The paperwork a compliant competition carries

  • Terms and conditions — eligibility, entry window, judging criteria, prize details and delivery, and what rights you take in the photographs. Publish them before the first entry arrives, and never change them mid-flight.
  • Permit details where required — if any element is a game of chance, the relevant permit numbers belong in your terms and promotional material.
  • A winner record — who won, how they were chosen, when they were notified. If a regulator or a sponsor asks in six months, you want a record, not a recollection.

Privacy: the part photo competitions get wrong most

A photo competition collects more personal information than almost any other campaign format — names, emails, and photographs that can contain faces, children, number plates and precise locations. Under the Privacy Act and the Australian Privacy Principles, you’re accountable for all of it.

  • Strip location metadata before publishing. Phone cameras embed GPS coordinates in every shot. Publishing an entrant’s photo of their backyard with the coordinates still attached publishes their home address.
  • Collect model releases for identifiable people. A signed release for recognisable faces — especially children — protects the entrant, the subject and you. Store releases privately, never alongside the public gallery.
  • Offer a real deletion path. Entrants are entitled to ask what you hold and to have it removed. “Email us and we’ll see” isn’t a process.
  • Mind the Spam Act. Entering a competition is not consent to marketing. Transactional emails about the entry are fine; the newsletter needs its own opt-in checkbox, unticked.

Voting that survives an angry runner-up

If the public votes, someone will try to game it — and the second-placed entrant will ask questions. Require sign-in to vote, enforce one vote per person at the database rather than in a cookie, rate-limit by address, and review the leaderboard before announcing anything. A result you can defend line by line is worth more than a bigger number you can’t.

The launch checklist

  1. Decide skill, chance, or both — then check permit obligations
  2. Publish terms, privacy notice and judging criteria up front
  3. Set the entry window and stick to it
  4. Strip photo metadata from everything public
  5. Capture releases for identifiable faces before judging
  6. Moderate every entry before it goes live
  7. Lock the vote: sign-in, one-per-person, rate limits
  8. Keep the audit trail — decisions, winners, notifications

Every item on that list is built into the EntryWorks platform — see how it held up across three thousand entries in the photo competition case study.